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SINGAPORE, by             Poet Analysis     Poet's Biography

Mary Oliver’s poem "Singapore" explores themes of empathy, beauty, and the search for meaning in mundane, even difficult, moments. Through a vivid scene at an airport and reflections on the nature of poetry and human experience, Oliver delves into the contrasts between idealized beauty and the often harsh realities of life.

The poem begins with a stark moment of realization: "In Singapore, in the airport, / a darkness was ripped from my eyes." This powerful opening suggests a sudden clarity or awakening. Oliver sets the scene in the women’s restroom, where she encounters a woman kneeling and washing something in a white bowl. This unexpected sight evokes a visceral reaction: "Disgust argued in my stomach and I felt, in my pocket, for my ticket." The initial reaction of disgust highlights the discomfort and judgment that often accompany witnessing someone performing a menial task.

Oliver shifts to a reflection on the nature of poetry: "A poem should always have birds in it. / Kingfishers, say, with their bold eyes and gaudy wings." She muses that poetry traditionally contains elements of beauty—birds, rivers, trees, waterfalls—places and things that are inherently pleasing. This sets up a contrast between the idealized world often depicted in poetry and the grim reality she has just observed.

When the woman turns to face Oliver, the poet is struck by the complexity of her expression: "Her beauty and her embarrassment struggled together, and neither could win." This moment of human connection, marked by mutual smiles, challenges the initial reaction of disgust and prompts deeper empathy. Oliver acknowledges the universal need for dignity and the harsh truth that "Everybody needs a job."

The poem then returns to the woman's labor: "She is washing the tops of the airport ashtrays, as big as hubcaps, with a blue rag." Oliver describes the woman's movements as neither slow nor quick, but "like a river," suggesting a natural, rhythmic grace in her work. The woman's "dark hair is like the wing of a bird," introducing the motif of birds into this otherwise bleak scene, and implying a hidden beauty and strength.

Oliver reflects on the woman's possible contentment with her life: "I don't doubt for a moment that she loves her life." This assertion challenges the reader to reconsider preconceived notions about what constitutes a fulfilling existence. The poet expresses a wish for the woman to transcend her situation: "And I want her to rise up from the crust and the slop and fly down to the river." This longing for transcendence is tempered by the acknowledgment that such a transformation is unlikely, yet the possibility remains.

The poem contemplates the balance between pain and logic versus the unexpected moments of light and beauty: "If the world were only pain and logic, who would want it? Of course, it isn't." Oliver does not suggest miraculous changes, but rather the subtle, illuminating moments that reveal the intrinsic worth of a life: "but only the light that can shine out of a life."

In the concluding lines, Oliver returns to the imagery of birds and trees: "I mean the way she unfolded and refolded the blue cloth, the way her smile was only for my sake; I mean the way this poem is filled with trees, and birds." This ending ties together the woman's humble actions with the traditional elements of poetic beauty, suggesting that poetry—and life—can encompass both the ideal and the real, the beautiful and the mundane.

Structurally, the poem's free verse and conversational tone create an intimate, reflective atmosphere. The straightforward language and vivid imagery draw readers into the scene, encouraging them to share in Oliver’s evolving perspective.

In conclusion, "Singapore" by Mary Oliver is a poignant meditation on the intersection of beauty, empathy, and the human condition. Through her encounter with a woman performing a mundane task, Oliver explores the contrasts between idealized beauty in poetry and the often harsh realities of life. The poem ultimately suggests that moments of light and beauty can emerge from even the most ordinary and overlooked aspects of existence, challenging readers to find and appreciate these moments in their own lives.


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