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Classic and Contemporary Poetry: Explained | |||
The poem begins with a detailed and serene depiction of a late afternoon landscape, marked by "Gray rainwater" on the grass and carp resting at the bottom of a pond. This setting serves as the backdrop for the speaker's walk home from work, a moment of transition that becomes an opportunity for reflection and connection with the surrounding environment. Bell introduces the speaker's movement through this landscape as a journey "partway toward a paycheck, halfway toward the weekend," underscoring the sense of being caught between obligations and aspirations, the practical and the ideal. Despite the mundane context, the speaker is attuned to the sublime and existential elements of the scene—the "palpable Sublime" flickering on leaves, the contention between the "Higher Good and the Greater Good" on the bark of the maples, and the presence of the "truly Existential" in the shadows. The assertion that all this was witnessed "in the company of no one" emphasizes the solitude of the speaker's experience, suggesting that such moments of clarity and connection often occur in isolation, away from the distractions of social interaction. The transition back to work the next morning, "like anyone," reflects the inevitable return to the routine and responsibilities of daily life. However, the experience of the previous afternoon leaves a lasting impact, symbolized by the "match-head in / my thoughts." This imagery suggests a spark of insight or inspiration that illuminates the speaker's perception, transforming the ordinary morning light into a flame that reveals the horizon as "an idea of the eye, gilded from within." Bell's description of the sun as "the fiery consolation of our nighttimes" and the subsequent reflections on the "expectant air" and the internal music and knowledge that arise within the speaker highlight the capacity for everyday experiences to evoke a deeper awareness of the world's beauty and complexity. The conclusion of the poem, with the speaker enduring the day's demands until he can "drop his arms" at quitting time, captures the physical and emotional toll of maintaining this heightened state of awareness within the confines of work and routine. Yet, the experience of the previous afternoon remains a powerful reminder of the possibility for transcendence and meaning amidst the mundane. "Wednesday" is a beautifully crafted meditation on the interplay between the external world and internal consciousness, the cyclical nature of work and rest, and the fleeting moments of insight that can inspire and sustain us through the rhythms of daily life. Marvin Bell masterfully conveys the nuanced layers of human experience, inviting readers to find wonder and significance in the ordinary moments that punctuate our existence.
| Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...VINEGAR AND OIL by JANE HIRSHFIELD IN ABEYANCE by DENISE LEVERTOV IN A VACANT HOUSE by PHILIP LEVINE SUNDAY ALONE IN A FIFTH FLOOR APARTMENT, CAMBRIDGE, MASSACHUSETTS by WILLIAM MATTHEWS SILENCE LIKE COOL SAND by PAT MORA THE HONEY BEAR by EILEEN MYLES AFTER TU FU (THEY SAY YOU'RE STAYING IN A MOUNTAIN TEMPLE) by MARVIN BELL |
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