Classic and Contemporary Poetry: Explained

Carol Frost's poem "Consent" delves into the story of St. Sebastian, a Christian martyr often depicted in art as being pierced by arrows. Through vivid imagery and contemplative reflections, the poem explores themes of suffering, acceptance, and the transformative power of faith. Frost uses the figure of St. Sebastian to examine the complex interplay between physical torment and spiritual transcendence, highlighting how consent and inner peace can emerge from moments of profound pain.

The poem opens with a stark and dynamic image: "Arrows striking all sides of the body and St. Sebastian smiling." This juxtaposition of violent assault and serene expression immediately sets the tone for the poem, suggesting a paradoxical acceptance of suffering. The description of his "torso, the shoulder that flinches inadvertently, through the neck hole of his robe" emphasizes the physical reality of his pain, yet his smile hints at a deeper, spiritual understanding or acceptance.

As the poem progresses, it becomes clear that St. Sebastian has reached a state of transcendence: "Suddenly he seems to have forgotten thirst, hate, fear of perishing,—consented, - and the bowmen put down their bows." This moment of consent, where he relinquishes his fears and desires, marks a pivotal transformation. The bowmen, who represent his persecutors, respond to his acceptance by ceasing their attack, illustrating the power of his inner peace to influence the external world.

The poem then shifts to the aftermath of this moment: "All were silent, but it was in his silence that the next morning came." The silence signifies a profound change, both for St. Sebastian and his tormentors. The bowmen, who "had shot him against their will," are depicted as ordinary men who, despite participating in violence, experience isolation and loneliness. Their hope that he would be gone by morning reflects their desire to escape the consequences of their actions and the guilt associated with their cruelty.

The reflection on what the bowmen "had" when they tied St. Sebastian to the tree raises questions about the nature of their power and memory. They are left with "standing full of memory, feeling the feathers scythe through the air, displacing the sounds." This sensory imagery captures the lingering presence of the violent act and its impact on their consciousness. The poem suggests that their actions were not just physical but also psychological, leaving indelible marks on their minds.

The concluding lines of the poem offer a glimpse into St. Sebastian's spiritual experience: "trusting his god's descriptions as he leaned his head to his— a little of what already exists and the towering sense of kindnesses no world can offer?" This passage reflects his faith and trust in a higher power, which provides him with a sense of kindness and peace that transcends worldly suffering. The use of the phrase "a little of what already exists" suggests that this spiritual truth is always present, waiting to be realized through faith and acceptance.

"Consent" is a deeply reflective poem that uses the story of St. Sebastian to explore the themes of suffering, acceptance, and spiritual transcendence. Frost's language is rich and evocative, creating powerful imagery that captures both the physical and emotional dimensions of the martyr's experience. The poem invites readers to consider the transformative power of consent and inner peace in the face of suffering, and how faith can offer a sense of kindness and understanding that surpasses the harsh realities of the world. Through its nuanced portrayal of St. Sebastian's martyrdom, the poem resonates with universal questions about the nature of suffering, faith, and redemption.

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