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Classic and Contemporary Poetry: Explained

LIES AND LONGING, by         Recitation by Author     Poet Analysis     Poet's Biography

Linda Gregg’s poem "Lies and Longing" is a poignant exploration of the lives of marginalized women, depicting their struggles, deceptions, and yearnings with stark imagery and unflinching honesty. The poem captures a moment in a specific place, Thirtieth Street, where a group of women, possibly homeless or destitute, navigate their harsh realities through stories, both real and fabricated.

The poem opens with a vivid scene: "Half the women are asleep on the floor / on pieces of cardboard." This image immediately sets a tone of destitution and vulnerability. The women are sleeping on the floor, with only cardboard as a barrier between them and the harsh surface, emphasizing their lack of comfort and security. One woman is described as being "face down under a blanket / with her feet and ankle bracelet showing," a detail that hints at a past that involves the criminal justice system or some form of monitored movement, perhaps hinting at house arrest or parole.

The presence of a spear leaning against the wall "by her head where she can reach it" introduces a sense of danger and the need for self-defense, reflecting the precariousness of their environment. This image suggests that the women must be constantly prepared to protect themselves, highlighting the ever-present threat of violence.

The woman who "sits on a chair" but "won’t speak / because this is not her dress" implies a loss of identity and agency. The dress, a symbol of personal choice and expression, belongs to someone else, rendering her silent and passive. This could symbolize how societal conditions and poverty strip individuals of their personal identity and voice.

An old woman sings an Italian song in English and expresses a longing for recognition with her desire for her name in lights: "Faye Runaway." This detail reveals a deep yearning for validation and visibility, contrasting sharply with her current obscure existence. Her mention of grown children introduces a sense of lost connections and past lives, hinting at the histories each woman carries with her.

The varied responses and actions of the women further illustrate their dire circumstances and coping mechanisms. One asks for medicine, indicating physical or mental health issues, while another boasts of having "a rock that means honor and a piece of fur," suggesting a clinging to symbols of dignity and warmth amidst their destitution. The woman whose "feet are wrapped in rags" exemplifies extreme poverty and lack of resources, while the one who "keeps talking about how fat she is / so nobody will know she’s pregnant" highlights the complex strategies these women use to navigate their realities and protect themselves.

The theme of deception runs through the poem as the women "lie about getting letters" and other aspects of their lives. These lies can be seen as a form of escapism or a way to construct a more bearable reality. One woman lies "about a beautiful dead man," possibly inventing a story of love and loss to gain sympathy or to maintain some semblance of connection to a better past. Another lies "about Denver," perhaps creating a fantasy of a different place or life where circumstances are better.

The poem concludes with a stark reminder of their environment: "Outside / it’s Thirtieth Street and hot and no sun." This closing image reinforces the harshness and oppressive nature of their surroundings. The lack of sun suggests a bleak and hopeless atmosphere, mirroring the inner turmoil and struggles of the women inside.

"Lies and Longing" powerfully captures the lives of women on the margins, their resilience, and the ways they cope with their harsh realities through stories and small acts of defiance. Linda Gregg’s use of vivid imagery and careful attention to detail brings their world to life, offering a compassionate and unflinching look at their lives. The poem speaks to the human need for dignity, recognition, and connection, even in the face of overwhelming adversity.


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