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Classic and Contemporary Poetry: Explained | |||
The opening line, "I see you down there, white-haired among the green leaves, picking the ripe raspberries," sets the scene with vivid imagery. This image of one partner observing the other in a moment of mundane beauty highlights the deep familiarity and affection that characterizes long-term companionship. The white hair amid the green leaves not only contrasts youth with age visually but also symbolizes the natural cycle of life and the passage of time. The phrase "Forty-two years!" is an exclamation that conveys both wonder and gratitude. It is a recognition of the significant expanse of time they have shared, filled with countless moments both ordinary and profound. This reflection on the duration of their shared life emphasizes the depth of their connection and the accumulation of shared experiences that bind them together. Berry's meditation on identity—"We are the you and I who were once the they whom we remember"—is especially striking. This line explores the fluidity of selfhood within the context of a long-term relationship. The speaker and the partner have transitioned from being "they," a separate entity observed from the outside, to "you and I," a deeply interconnected pair. This shift highlights the transformative power of shared love and life, suggesting that over time, partners grow into a new, collective identity even as they retain their individual selves. "They" is a testament to the beauty of enduring relationships and the way love evolves and deepens over time. Berry invites readers to consider the significance of shared history, the changing nature of identity within the context of a relationship, and the profound connection that develops through the simple, daily acts of living together. Through this brief yet powerful poem, Berry illuminates the extraordinary within the ordinary, celebrating the transformative journey of love and companionship.
| Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...THANKSGIVING DAY by LYDIA MARIA CHILD FONTENOY by THOMAS OSBORNE DAVIS THE CHILD ALONE: 1. THE UNSEEN PLAYMATE by ROBERT LOUIS STEVENSON ODE: INTIMATIONS OF IMMORTALITY FROM RECOLLECTIONS OF EARLY CHILDHOOD by WILLIAM WORDSWORTH TIPPERARY: 5. BY OUR OWN EUGENE FIELD by FRANKLIN PIERCE ADAMS THE DEAMON LOVER by THOMAS BAILEY ALDRICH |
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