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Classic and Contemporary Poetry: Explained | |||
"My Voice" by Rafael Campo is an introspective poem that delves into the complexities of desire, cultural identity, and the power of storytelling. Through the metaphor of a Cuban song, Campo explores the tension between longing for one’s cultural roots and the necessity of confronting and sometimes repressing certain fantasies or desires that may not align with one’s current self or circumstances. The poem serves as both a personal and collective reflection on the nature of longing and the ways in which art and narrative can express and modulate that longing. The poem begins with the speaker’s attempt to "cure" himself of the desire for Cuban songs by writing one about the need to suppress fantasies, particularly those deemed "unhealthy." This opening paradoxically highlights the irresistible pull of these very desires and the cultural roots they signify, suggesting that the act of suppression itself acknowledges their deep significance and power. The reference to the sea as a metaphor for need—vast, deep, and insatiable—immediately establishes the thematic and emotional landscape of the poem. The sea becomes a symbol of the natural human longing for connection, belonging, and fulfillment, a need as fundamental and unending as the ocean itself. Campo then weaves in elements of Cuban folklore and myth, using stories of a lost Carib boy, a bird sacrificing flight for song, and a powerful queen to illustrate various facets of desire and sacrifice. These tales serve as allegories for the struggles inherent in the human condition: the loss and abandonment, the trade-offs between different forms of expression and achievement, and the assertion of strength and identity in the face of adversity. The song’s turn towards morality and the repeated invocation of the sea's depth and beauty underscore the poem’s meditation on the ethical dimensions of desire and the natural, life-sustaining role of longing in human existence. The sea's nourishment and its aesthetic allure become metaphors for the essential, life-affirming aspects of needing and desiring. The poem's conclusion, with the speaker unable to bear hearing the song any longer, reflects the overwhelming nature of such deep, unfulfilled longing. The final identification of the song of "needful love" as the speaker's voice captures the essence of the poem: the articulation of desire and cultural connection is not just an expression of individual longing but defines the speaker's very identity and mode of engaging with the world. "My Voice" is a poignant exploration of how personal and cultural identities are shaped by the desires and longings we carry within us. Through the creation of a Cuban song that both expresses and seeks to cure these longings, Campo highlights the inextricable link between desire, art, and the construction of self. The poem invites readers to reflect on their own "songs" of needful love and the ways in which such expressions of longing inform their identities and relationships with their cultural heritage. POEM TEXT: To cure myself of wanting Cuban songs, I wrote a Cuban song about the need For people to suppress their fantasies, Especially unhealthy ones. The song Began by making reference to the sea, Because the sea is like a need so great And deep it never can be swallowed. Then The song explores some common myths But the Cuban people and their folklore: The story of a little Carib boy Mistakenly abandoned to the sea; The legend of a bird who wanted song So desperately he gave up flight; a queen Whose strength was greater than a rival king's. The song goes on about morality, And then there is a line about the sea, How deep it is, how many creatures need Its nourishment, how beautiful it is To need. The song is ending now, because I cannot bear to hear it any longer. I call this song of needful love my voice.
| Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...THINKING OF CUBA by DAVID ST. JOHN THE MONKEY STORY by VIRGIL SUAREZ THE CUBAN IN VIETNAM by VIRGIL SUAREZ THE SOVIET CIRCUS VISITS HAVANA, 1969 by VIRGIL SUAREZ WHEN THE GREAT CHINESE PAPERMAKERS CAME TO CUBA, GREAT POETS FOLLOWED by VIRGIL SUAREZ YES, CUBANS FOUGHT ON BOTH SIDES OF THE VIETNAM WAR by VIRGIL SUAREZ THE PARTING OF THE WAYS by JOSEPH BENSON GILDER FAREWELL TO CUBA by MARIA GOWEN BROOKS ORTIZ (1528) by HEZEKIAH BUTTERWORTH |
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