![]() |
Classic and Contemporary Poetry: Explained | |||
Albert Goldbarth’s poem “Edgewater Hospital” poignantly captures the interplay between time, pain, and hope within the context of a hospital stay. By contrasting the hospital’s internal atmosphere with the world outside, Goldbarth explores how experiences within the hospital transcend ordinary time and merge into a broader, often more somber reality. The poem opens with a description of Lake Michigan, juxtaposing its continuous, unchanging nature with the temporality and uncertainty within Edgewater Hospital. The lake’s folding and unfolding of light signifies an eternal, almost otherworldly aspect—one that contrasts sharply with the hospital's environment. Goldbarth’s mention of the line where light and water meet slipping “into another dimension” suggests an infinite continuity, often idealized in poetry as “forever.” This idyllic vision of eternity, however, is immediately tempered by the realities of the hospital setting. Within the hospital, time is marked differently. The references to the linen closets, the gift flowers, and the orderly’s smile highlight the attempt to maintain normalcy and care amidst an underlying inevitability of pain and death. Goldbarth’s imagery of something dark and inevitable unfolding within the deepest creases of the hospital mirrors the unavoidable presence of suffering that lingers beyond the superficial layers of care and comfort. The line “we're darkness's octaroons” introduces a powerful metaphor for the pervasive, inescapable shadow that hospital visits cast on individuals. This phrase emphasizes how, despite efforts to remain unaffected, a visit to the hospital leaves an indelible mark, dimming one’s spirit and linking them permanently to the experience of pain and mortality. Goldbarth’s reference to pain being “always outside of time” underscores the timeless, pervasive nature of suffering. This sentiment is echoed through the poignant depiction of the father’s cardiac condition, encapsulated in the metaphor of a clock stuck at “half past cardiac.” The metaphor not only conveys the severity and inescapability of the condition but also highlights the cruel suspension of time that chronic illness imposes. The doctors’ books predicting futures in terms of days further exemplify the hospital's detachment from the regular passage of time, reinforcing the uncertainty and fragility of life within its walls. This notion is contrasted with the natural, continuous rhythm of Lake Michigan outside, depicted as a “waiting” force, its dependable beat likened to a heart—a simile frequently used in poetry to signify life and continuity. Writing, for Goldbarth, becomes a means of manipulating time, turning “morning afternoon” and offering a semblance of control over the relentless march of days. The act of composing language and crafting metaphors becomes a way to impose order and meaning on experiences that otherwise feel chaotic and timeless. In “Edgewater Hospital,” Goldbarth masterfully uses the interplay between light and shadow, continuity and interruption, to explore the profound impacts of illness and hospital stays on the human psyche. The poem reflects on how the relentless forward march of nature and time contrasts with the halting, uncertain progression of life within a hospital. Through vivid imagery and poignant metaphors, Goldbarth captures the essence of human vulnerability, the persistence of hope, and the ever-present shadow of mortality.
| Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...AT THE CANCER CLINIC by TED KOOSER HAVING BEEN ASKED WHAT IS A MAN? I ANSWER by PHILIP LEVINE NEW YEAR'S EVE, IN HOSPITAL by PHILIP LEVINE THE DEMOCRATIC DIME by EVE MERRIAM THIS DID NOT HAPPEN by THYLIAS MOSS WALT WHITMAN IN THE CIVIL WAR HOSPITALS by DAVID IGNATOW |
|