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Classic and Contemporary Poetry: Explained
GAY CHAPS AT THE BAR: THE WHITE TROOPS HAD THEIR ORDERS ..., by GWENDOLYN BROOKS Poet Analysis Poet's Biography | |||
"Gay Chaps At The Bar: The White Troops Had Their Orders ..." by Gwendolyn Brooks offers a poignant commentary on racial perceptions and the artificiality of racial prejudices, particularly within the military context. The poem reflects on the expectations and preconceived notions held by white troops regarding African American soldiers during the war, and how the reality of their encounter forces a confrontation with their ingrained biases. The poem begins with the white troops' belief in a "fixed" formula for interacting with and categorizing people based on race. They had been trained or conditioned to adopt "A type of cold, a type of hooded gaze" when dealing with African Americans, indicative of an emotional detachment and a prejudiced perspective meant to dehumanize and distance themselves from Black individuals. However, the arrival of Black soldiers, "These Negroes looked like men," disrupts this formula, presenting a challenge to their established prejudices. The recognition of the Negroes' humanity perplexes the white troops, as it contradicts the dehumanizing stereotypes they were instructed to uphold. The poem subtly critiques the absurdity of racial prejudices through the line, "it taxed / Time and the temper to remember those / Congenital iniquities that cause / Disfavor of the darkness." This suggests that maintaining such prejudices requires effort and is based on arbitrary distinctions that, upon closer examination, are difficult to justify. The use of "Congenital iniquities" ironically comments on the supposed inherent differences that justify racial discrimination, highlighting the illogical nature of such beliefs. Brooks also explores the notion of categorizing people into "a box for dark men and a box for Other," illustrating how societal attempts to neatly categorize individuals based on race often fail to capture the complexity of human identity. The revelation that the "contents had been scrambled / Or even switched" underscores the fluidity and commonality of human experiences beyond racial lines, challenging the rigid boundaries established by racial categorization. The poem concludes with an observation of indifference from the broader world: "Neither the earth nor heaven ever trembled. / And there was nothing startling in the weather." This suggests that despite the profound revelations and challenges to racial prejudices experienced by the white troops, the larger societal and natural order remains unchanged. The lack of a dramatic response from the environment metaphorically reflects society's general indifference to the dismantling of racial prejudices, implying a disheartening stagnation in the face of potential growth and enlightenment. Through " "Gay Chaps At The Bar: The White Troops Had Their Orders ...," Gwendolyn Brooks masterfully critiques the constructed nature of racial prejudices and the potential for individual encounters to challenge and disrupt these deeply ingrained beliefs. The poem calls attention to the absurdity of racial categorization and the humanity that transcends these artificial divides, urging a reevaluation of the ways in which we perceive and interact with one another based on race. POEM TEXT: https://www2.latech.edu/~bmagee/212/zbrooks/white_troops.htm
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