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THE BEAR, by             Poet Analysis     Poet's Biography

Galway Kinnell's "The Bear" is a visceral, haunting exploration of survival, identity, and the primal connection between humans and nature. The poem is divided into seven sections, each capturing a different stage of a harrowing journey. Through its stark imagery and raw language, Kinnell delves into the physical and psychological transformation that occurs when one is pushed to the limits of endurance.

The poem opens in late winter, with the speaker noticing "bits of steam / coming up from / some fault in the old snow." This steam, described as "lung-colored," hints at the presence of a bear beneath the snow. The speaker's keen sense of smell identifies "the chilly, enduring odor of bear," establishing a connection between the two beings and foreshadowing the journey to come.

In the second section, the speaker takes a wolf's rib, sharpens it, and encases it in blubber to create a trap for the bear. This act of crafting a weapon from nature itself underscores the primal struggle for survival. The speaker then follows the bear's tracks, observing the "first, tentative, dark / splash on the earth" and beginning a relentless pursuit. The imagery of "blood wandering over the world" emphasizes the violence and desperation inherent in the chase.

As the pursuit continues in the third section, the speaker reaches a point of starvation. In a moment of intense survival instinct, he consumes bear feces mixed with blood, illustrating the extreme measures taken to sustain life. This act blurs the line between hunter and prey, emphasizing the raw and animalistic nature of survival.

By the fourth day, the speaker lives solely on bear blood, a transformation that brings him closer to the bear he is hunting. The encounter with the bear's carcass is both triumphant and unsettling. The speaker consumes the bear's flesh and blood, then climbs inside the carcass to sleep, seeking shelter from the elements. This intimate and grotesque merging with the bear symbolizes a profound connection and transformation.

The fifth section presents a dream-like sequence where the speaker imagines himself as the bear, "lumbering flatfooted / over the tundra." The dream is filled with images of struggle and transcendence, reflecting the speaker's internal battle and desire to transcend his human limitations.

In the sixth section, the speaker reaches a point of physical collapse. The bear's blood and flesh, which sustained him, now cause his body to falter. The "hideous belches of ill-digested bear blood / and rotted stomach" highlight the toll this journey has taken. The speaker's delirium blurs the lines between reality and hallucination, suggesting a deep existential crisis.

The final section of the poem shifts to a more reflective tone. The speaker awakens, observing the signs of life returning with the arrival of spring. The image of the "dam-bear / lies, licking / lumps of smeared fur / and drizzly eyes into shapes" evokes a sense of renewal and continuity. The speaker, now transformed by his ordeal, spends the rest of his days wandering and contemplating the experience. The lingering question—"what, anyway, / was that sticky infusion, that rank flavor of blood, that poetry, by which I lived?"—captures the profound impact of this primal journey on his understanding of life and identity.

"The Bear" is a powerful meditation on the themes of survival, transformation, and the primal instincts that lie beneath the surface of human consciousness. Through vivid and often brutal imagery, Kinnell explores the interconnectedness of all life and the deep, sometimes unsettling, bonds that tie humans to the natural world. The poem's raw intensity and existential depth invite readers to reflect on their own relationship with nature and the instinctual drives that shape their existence.


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