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THE PUBLIC GARDEN, by         Recitation     Poet Analysis     Poet's Biography

"The Public Garden" by Robert Lowell is a reflective poem that captures the changing seasons and the passage of time within the setting of Boston's Public Garden. Through vivid imagery and contemplative musings, the poem explores themes of memory, impermanence, and the often ambivalent relationship between humans and nature.

The poem begins with a description of the season: "Burnished, burned-out, still burning as the year." This phrase sets a tone of transition and decay, indicating autumn's approach as the year winds down. The speaker is led back to a familiar place, the "stamping ground," suggesting a revisiting of past experiences and memories. The bustling city and "cruising cars" encircle the Public Garden, encapsulating a space of nature within an urban environment. This contrast between the lively city and the tranquil garden introduces a dynamic tension between the artificial and the natural.

The imagery of "children crowding home from school at five, / punting a football in the bricky air," depicts a lively, everyday scene. The "bricky air" evokes a warm, earthy atmosphere, rich with the scents and sensations of autumn. The mention of "sailors and their pick-ups under trees / with Latin labels" hints at the presence of diverse and transient visitors, adding to the garden's character as a meeting place. The "jaded flock / of swanboats" paddling to the dock suggests a routine and perhaps tired charm, as these iconic boats are a well-known feature of the Public Garden.

The poem then shifts focus to the garden's physical state: "The park is drying. / Dead leaves thicken to a ball / inside the basin of a fountain, where / the heads of four stone lions stare / and suck on empty faucets." The drying park and the accumulation of dead leaves symbolize the decline of life as the season progresses. The image of the stone lions, with "empty faucets," suggests a lack of vitality, reinforcing the theme of decay. This imagery highlights the passage of time and the inevitable aging of both natural and human-made elements.

As night falls, the scene becomes more introspective: "Night / deepens. From the arched bridge, we see / the shedding park-bound mallards, how they keep / circling and diving in the lantern light." The ducks' circling and diving behavior under the lantern light creates a haunting image, as they search "for something hidden in the muck." This action can be seen as a metaphor for the human search for meaning or fulfillment amidst the complexities and obscurities of life.

The poem introduces the moon as "earth’s friend, that cared so much / for us, and cared so little." This personification of the moon suggests a distant, indifferent presence, one that is both familiar and alien. The moon's light "lies like chalk / over the waters," evoking a cold, pale illumination that casts a stark contrast to the earlier warmth of the "bricky air." The phrase "Everything’s aground" underscores a sense of stasis or being stuck, reinforcing the melancholic tone.

The poem then reflects on past memories of summer: "Remember summer? Bubbles filled / the fountain, and we splashed. We drowned / in Eden." This nostalgic recollection of a more carefree and vibrant time contrasts sharply with the present scene of decline. The reference to "Jehovah’s grass-green lyre" suggests a divine presence or the music of nature, which once seemed alive and comforting but now feels distant. The leaves "gurgled by us, turning upside down," symbolizing the disorientation and inversion of the natural order as time progresses.

The closing lines, "The fountain’s failing waters flash around / the garden. Nothing catches fire," encapsulate the poem's meditation on the impermanence and transience of life. The "failing waters" of the fountain serve as a metaphor for the ebbing vitality and energy of both the natural world and human experience. The phrase "Nothing catches fire" suggests a lack of passion or transformation, reinforcing the theme of decline and the fading of once-vibrant experiences.

"The Public Garden" by Robert Lowell is a poignant reflection on the passage of time, the inevitability of change, and the often ambivalent relationship between humans and the natural world. Through its rich imagery and contemplative tone, the poem captures the beauty and melancholy of a place that serves as a backdrop for the complexities of human life and memory.


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