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Classic and Contemporary Poetry: Explained

LISTENING TO BASEBALL IN THE CAR, by                 Poet's Biography

Gail Mazur’s "Listening to Baseball in the Car" is a meditation on belief, hope, and the ways in which seemingly mundane moments—like listening to a baseball game—intersect with larger questions of faith and metaphor. The poem’s blend of casual observation and introspective reflection creates a narrative that is both deeply personal and widely relatable, capturing the human tendency to seek meaning and connection in the everyday.

The poem begins with a conversation about angels, a disagreement between the speaker and a friend. The tone is warm and affectionate, as the argument lacks animus, emphasizing the intellectual playfulness of their exchange. The speaker’s skepticism—“I can’t believe they’re not a metaphor”—sets the stage for the exploration of belief that follows. Angels, introduced as a contested concept, become a thread that runs through the poem, linking the philosophical with the everyday.

As the speaker drives away from Boston, the Red Sox game plays on the car radio. The announcer’s phrase, “No angels in the sky today,” serves as a bridge between the earlier conversation and the speaker’s present moment. Here, angels are invoked in the vernacular of baseball, where they are not divine beings but a practical absence: “a cloudless afternoon, no shadows to help a man who waits in the outfield.” This clever turn captures the duality of language, where the sacred and the ordinary coexist, and where belief itself becomes contextual and malleable.

Mazur’s juxtaposition of the announcer’s commentary with the speaker’s thoughts underscores the blend of the mundane and the profound. While the announcer is “not a rabbi or sage,” the speaker notes that he is “a sort of sage,” a “disconsolate philosopher” of baseball. This characterization elevates the announcer’s role, highlighting the unexpected wisdom found in unlikely places. Baseball, with its slumps and injuries, becomes a metaphor for life’s unpredictability and perseverance, where moments of grace and redemption are as rare as they are cherished.

The speaker’s emotional connection to the game is palpable, as her “prayerful throbbing in [her] throat” reveals a deep longing—not just for her team to win but for something greater, a sign or intervention. The invocation of the biblical phrase that “men are only little lower than the angels” adds a layer of reflection on human striving and fallibility. In the context of the game, it suggests that the outfielder, Jim, stands on the precipice of the extraordinary, relying on both skill and fortune as he “runs back, back, back, looking heavenward.”

Mazur’s imagery in the poem is rich and precise. The “pale blue sky through my polarized windshield” and the “wispy horsemane clouds” create a visual landscape that mirrors the speaker’s inner state—hopeful, searching, and slightly detached. The clouds, which the speaker “quietly pray[s] will drift down to Fenway Park,” serve as a physical and metaphorical link between the human and the divine, the earthly and the ethereal. This subtle invocation of divine aid, however whimsical, underscores the speaker’s yearning for connection and transcendence.

The poem’s closing scene, where the center fielder looks heavenward and is “shielded” from the sun’s glare, encapsulates the interplay between hope, chance, and belief. The speaker’s imagination transforms a routine baseball play into a moment of near-miraculous possibility, where the ordinary becomes extraordinary through the lens of faith and metaphor. This act of imagining becomes a form of prayer, a way of bridging the gap between what is and what could be.

Mazur’s language is conversational yet layered, capturing the casual tone of a car ride and a baseball game while weaving in profound reflections on belief and human experience. The poem’s structure mirrors the rhythm of thought, moving seamlessly between the external world and the speaker’s inner reflections, creating a sense of fluidity and immediacy.

"Listening to Baseball in the Car" is ultimately a meditation on the intersections of faith, metaphor, and the mundane. Through its exploration of a simple moment—a baseball game heard on the radio—Mazur invites readers to consider the ways in which we invest meaning in the everyday and find solace in the act of hoping. The poem resonates as a celebration of the small, sacred moments where belief and the ordinary collide, reminding us that even in the most routine of circumstances, there is room for wonder.


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