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Classic and Contemporary Poetry: Explained

HOME FOR THANKSGIVING, by             Poet Analysis     Poet's Biography

Linda Pastan's poem "Home for Thanksgiving" captures the poignant, bittersweet atmosphere of a family gathering, emphasizing the passage of time and the inevitable transitions that come with it. The poem, with its autumnal setting and evocative imagery, reflects on the fading light of the day as a metaphor for the waning days of familial closeness and the changing dynamics within a family as the years pass. It is a meditation on the impermanence of life, the roles we play within our families, and the quiet, sometimes melancholic, realization that nothing stays the same.

The poem begins with the image of the "gathering family" throwing "shadows around us," immediately setting a tone of reflection and impending dusk. The "late afternoon / of the family" suggests that the family is at a stage where the golden years of togetherness are beginning to fade, much like the light at the end of the day. The shadows cast by the family members evoke a sense of history and memory, as if each person's presence is both solid and ephemeral, a reminder of the past that looms over the present moment.

Pastan emphasizes the theme of fading light, noting that "there is still enough light / to see all the way back," indicating that the past is still visible and accessible, but only just. The light, however, is "wasting away" at the windows, symbolizing the gradual loss of clarity and the inevitable approach of night—both literally and metaphorically. The imagery of the light fading at the windows underscores the idea that time is running out, that the moments of warmth and connection within the family are slipping away as evening approaches.

The poem then transitions to a more somber reflection on the future: "Soon we will be nothing / but silhouettes." This line suggests that the distinct identities and relationships that make up the family will eventually blur into mere outlines, indistinguishable from one another in the gathering darkness. The mention of the sons' silhouettes being "as harsh / as the fathers'" highlights the continuity of familial traits and patterns, but also hints at the potential for generational conflict or the hardening of relationships over time.

The daughters, in contrast, are depicted in a softer light, as they "take off their aprons / as trees take off their leaves / for winter." This metaphor not only connects the daughters to the natural world but also suggests a shedding of roles and responsibilities, perhaps an indication of their own transition from the nurturing roles they play within the family to something more independent or less defined. The comparison to trees losing their leaves for winter reinforces the theme of change and the natural cycle of life, where growth is followed by a period of dormancy or rest.

As the poem draws to a close, there is a sense of urgency: "Let us eat quickly— / let us fill ourselves up." This line conveys a desire to make the most of the time remaining, to take in as much as possible before the moment passes. The act of eating, traditionally a communal and comforting activity, becomes almost a final act of sustenance before the inevitable closing of the chapter. The final image of "The covers of the album are closing / behind us" poignantly captures the sense of finality, as if the family gathering is being sealed into the pages of memory, no longer part of the living present but something to be looked back upon from a distance.

"Home for Thanksgiving" is a beautifully crafted poem that captures the essence of a family gathering not just as a moment of togetherness, but as a reflection on time, memory, and the changes that inevitably come with life. Through her careful use of light and shadow, Pastan creates a powerful metaphor for the way families evolve, the roles we play within them, and the bittersweet realization that no moment, no matter how cherished, can last forever. The poem resonates with a deep understanding of the cycles of life, the passage of time, and the way we hold on to, yet must eventually let go of, the people and moments that define us.


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