Classic and Contemporary Poetry: Explained

The “Canto 1 (1917)”  is a section of "The Cantos," a long and complex poem by Ezra Pound that was published over several decades in the early 20th century. The canto that starts with "hang it all" and ends with "O Casella!" is one of the many sections of the poem, and it represents a turning point in Pound's poetic career.

The canto begins with Pound expressing his frustration with the traditional forms of poetry, and he argues that modern poets must break free from these forms and explore new modes of expression. He uses the phrase "hang it all" as an expression of his frustration, suggesting that he is tired of conforming to established norms and conventions.

As the canto progresses, Pound reflects on the nature of time and memory, noting how the past is constantly shaping the present and the future. He also reflects on the role of art in society, suggesting that artists must be willing to take risks and challenge the status quo.

The canto ends with Pound paying tribute to his friend and fellow artist, Guido Cavalcanti Casella, who was a composer and pianist. Pound refers to Casella as "O Casella!" and suggests that his artistry embodies the spirit of modernism and experimentation that Pound himself advocates.

Overall, the canto of 1917 is a powerful and complex work of modernist poetry that reflects Pound's commitment to pushing the boundaries of literary expression. The canto represents a turning point in Pound's poetic career, as he begins to embrace new forms and modes of expression that would define his later work.

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