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Classic and Contemporary Poetry: Explained | |||
The poem begins with the narrator observing clay jars covered with barnacles, recovered from the ocean’s depths. These jars serve as a tangible connection to the past, representing the arduous voyages of ancient sailors. Amichai emphasizes the sailors' dedication and the totality of their commitment – "they gave half their lives to sail to those jars, and the other half to bring them back here." This line underscores the cyclical nature of their journeys, characterized by departure and return, effort and accomplishment. The mention of the sailors who "drowned near the shore" introduces a somber note, suggesting the peril and sacrifice inherent in their endeavors. It's a poignant reminder of the risks taken in the pursuit of one’s duties or desires, and the tragic irony that some may never fully complete their journey. The poem then shifts to a brief interaction with a woman at the museum, who, upon observing the jars, comments on their beauty. Her remark and her startled reaction to her own words and the narrator's presence indicate a moment of self-awareness or realization. This interaction subtly mirrors the journeys of the sailors, as the woman "walked away into her life, which is also half a setting out and half a returning." In these closing lines, Amichai draws a parallel between the literal journeys of the sailors and the metaphorical journey of life. Just like the sailors, we are all embarked on a journey that encompasses both departure and return, exploration and homecoming. The poem suggests that life, in its essence, is a voyage of discovery, fraught with challenges and uncertainties, yet driven by purpose and hope. Through this metaphor, Amichai invites the reader to reflect on the nature of their own life's journey, its purpose, and the ultimate return to our beginnings or essence
| Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...MY LAST DUCHESS; FERRRA by ROBERT BROWNING AN ELEGY UPON THE DEATH OF DOCTOR DONNE, DEAN OF PAUL'S by THOMAS CAREW WITH WHOM IS NO VARIABLENESS, NEITHER SHADOW OF TURNING' by ARTHUR HUGH CLOUGH BEETHOVEN'S THIRD SYMPHONY by RICHARD HOVEY ARCADIA: THE BARGAIN by PHILIP SIDNEY WINTER TREE by WALTER R. ADAMS SONG BEFORE SORROW by LOUISE A. BALDWIN SONNETS OF MANHOOD: 16. VENUS INCARNATE by GEORGE BARLOW (1847-1913) |
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