Classic and Contemporary Poetry: Explained

"Story We Know" by Martha Collins is a poignant reflection on the cyclical nature of human interactions and the overarching narrative of life itself, encapsulated in the simplicity of greetings and farewells. Through the repetition of "Hello, Good-bye," Collins underscores the inevitable beginning and end of every encounter, relationship, and, metaphorically, life. This poem intricately weaves the ordinary with the profound, using everyday occurrences to delve into deeper existential themes.

The poem opens with a formulaic approach to human interaction: "The way to begin is always the same. Hello, Hello." This repetition not only emphasizes the predictability of how relationships start but also the superficial nature of many social exchanges. The mention of "Your hand, your name" suggests a formality, a structured dance of civility that often lacks genuine connection. This is further highlighted by the pleasantries that follow, "So glad, Just fine," which could be seen as placeholders for more meaningful conversation. The poem quickly moves to the closure of these interactions with "Good-bye at the end," revealing a pattern of brief and superficial engagement that defines much of human interaction.

However, as the poem unfolds, Collins introduces a deviation from this pattern with the proposition of "lunch tomorrow?" Suddenly, the potential for a deeper connection arises—a break from the routine with "An omelette, salad, chilled white wine?" This moment is fleeting, as the poem reverts to the familiar cycle of "Hello" and "Good-bye," but it suggests the possibility of more meaningful connections amidst the monotony.

The setting transitions to a comfortable domestic scene: "it's Sunday, coffee, the Times, a slow day by the fire, dinner at eight or nine." This shift from public to private space allows for a deeper exploration of intimacy and companionship, moving beyond the initial superficial greetings to moments of shared experiences and quiet contentment. Yet, the poem insists, "this is a story we know so well we don't turn the page," indicating a resignation to the predictability and perhaps the inevitability of life's patterns.

The introduction of "snow" through the "latticed window" marks a turning point in the poem, introducing elements of beauty, transience, and the inevitable cycle of seasons mirroring the cycle of life. The snow, "whiten[ing] the air, and the tall white pine," serves as a metaphor for change, a reminder of the world beyond the comfort of the fire and the predictability of "Hello, Good-bye." The cold "white sign" outside contrasts with the warmth and intimacy inside, symbolizing the contrast between life's harsh realities and its moments of beauty and connection.

In the closing lines, Collins distills the essence of human experience into the repetition of "Hello, Good-bye," a mantra that encapsulates the entirety of life's journey. The recognition "We know, we know" serves as an acceptance of this cycle, an acknowledgment of the beauty and sorrow in the fleeting nature of life and relationships.

"Story We Know" ultimately reflects on the human condition through the lens of ordinary interactions, highlighting the cyclical nature of beginnings and endings while also pointing to the moments of connection and change that punctuate our existence. Collins crafts a narrative that is both universal and deeply personal, inviting readers to reflect on the patterns of their own lives and the ways in which we navigate the familiar dance of "Hello, Good-bye."

POEM TEXT: https://www.poetryfoundation.org/poetrymagazine/browse?contentId=34705

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