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Classic and Contemporary Poetry: Explained | |||
"Jazz Fan Looks Back" by Jayne Cortez is a vibrant and energetic tribute to the golden era of jazz and the iconic musicians who defined it. Through a lively and passionate recounting of her experiences with jazz music, Cortez captures the essence of what it means to be deeply moved and shaped by this art form. The poem is both a personal memoir and a homage to the legends of jazz, illustrating the profound impact that the music and its creators have had on her life and identity. Cortez's use of the phrase "I crisscrossed with Monk" immediately sets the tone of intimate engagement with the musicians she admires. The verbs "wailed," "counted," "sang," "wore," "screamed," and "scatted" convey actions of participation and mimicry, suggesting that her fandom is not passive but an active, immersive experience. This choice of words reflects the deeply interactive relationship between jazz musicians and their audience, where the listener is not merely a spectator but a participant in the musical journey. The mention of legends like Thelonious Monk, Bud Powell, Sonny Stitt, Sarah Vaughan, Billie Holiday, Dinah Washington, and Ella Fitzgerald places Cortez in a lineage of jazz aficionados who not only appreciate the music but embody its spirit and aesthetics in their daily lives. The reference to Ella Fitzgerald "blow[ing] roof off the Shrine Auditorium" during a Jazz at the Philharmonic event captures the transcendental power of live jazz performances, moments where music transcends the physical space to reach something sublime. Cortez's transformation through jazz is described in vivid, metaphorical language: cutting her hair into a "permanent tam," making her feet "rebellious metronomes," embedding "record needles in paint on paper," and talking "bopology talk." These descriptions signify a metamorphosis that goes beyond mere fandom; jazz becomes a way of being, influencing her appearance, movement, creativity, and speech. Jazz is not just music to Cortez; it's a lifestyle, a philosophy, and a mode of expression. The poem is rich with references to specific jazz techniques, songs, and moments, such as "every Bird riff" (a nod to Charlie Parker), "every Lester lick" (referencing Lester Young), and Max Roach's "triple time" drumming. These details serve to deepen the reader's appreciation of jazz's complexity and the virtuosity of its musicians. Cortez's acknowledgment of "Hawk" (Coleman Hawkins), "Blakey" (Art Blakey), "Ray" (presumably Ray Brown or Charles), "Diz" (Dizzy Gillespie), and others, highlights the communal aspect of jazz, where each artist contributes to a greater whole. "Jazz Fan Looks Back" is a celebration of jazz's enduring impact, a testament to the genre's ability to inspire, transform, and resonate across generations. Cortez's poem is a joyful acknowledgment of her lifelong journey with jazz, marking her not just as a fan but as a part of the music's ongoing legacy. Through her words, she invites readers to share in the exhilaration and profound emotional experience that jazz, at its best, offers to all who encounter it. POEM TEXT: https://poets.org/poet/jayne-cortez#tabbed-content
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