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Classic and Contemporary Poetry: Explained
UNSETTLED MOTORCYCLIST'S VISION OF HIS DEATH, by THOMSON WILLIAM GUNN Poet Analysis Poet's Biography | |||
"Unsettled Motorcyclist's Vision of His Death" by Thomson William Gunn presents a vivid and intense exploration of the narrator’s struggle against nature and his ultimate confrontation with death. The poem is structured around the journey of a motorcyclist who rides into a storm, facing both physical and metaphysical challenges. The poem begins with the motorcyclist riding across the open countryside, braving the rain that lashes against him. The rain, a symbol of nature’s overwhelming force, creates a sense of conflict as the motorcyclist persists in his ride, determined to follow his will. The repetition of “I am being what I please” emphasizes the narrator’s assertion of his individuality and freedom against nature’s dominance. As the motorcyclist progresses, he transitions from the firm heath to the marsh, signaling a shift from stability to uncertainty. The marsh, with its treacherous terrain, represents the unpredictability and challenges of life. The phrase “whichever wins / My human will cannot submit / To nature, though brought out of it” highlights the ongoing battle between human determination and natural forces. The motorcyclist’s struggle with the marsh exemplifies his refusal to succumb to the constraints imposed by nature. The imagery of the wheel sinking deep into the marsh and the blurred sound underscores the increasing difficulty of the journey. The motorcyclist's “chosen instrument,” the motorcycle, becomes stuck, symbolizing the limitations of human agency when confronted with the overpowering elements of nature. The reference to “shrubs of glazed insensate green” suggests an impersonal and indifferent natural world that stands in stark contrast to the motorcyclist’s intense personal struggle. As the journey continues, the motorcyclist finds himself immersed in the stagnant environment of the marsh. This stagnation strips away his breath and vitality, foreshadowing his impending death. The “dark earth” that is “not mine” signifies the foreign and inhospitable nature of the realm he is traversing. The poem delves into a surreal landscape where life and death intertwine, and the narrator becomes acutely aware of his mortality. The narrative shifts to a macabre vision of the motorcyclist’s body being consumed and transformed by the marsh plants. The plants’ “quiet grasping toward their end” and the “pallid knot” that “reflesh my bones” illustrate the inevitable process of decay and assimilation into the natural world. This transformation is depicted with a sense of inevitability, as the plants thrive on the motorcyclist’s remains without volition or consciousness, driven solely by the instinct to survive. In the final lines, the poem reflects on the nature of existence and the continuity of life. The plants, described as “invulnerable and soft,” embody a passive resilience, thriving on the nutrients provided by the motorcyclist’s decomposing body. The idea that they “multiply in ignorance” suggests that life persists regardless of individual human struggles or intentions. The motorcyclist’s identity and essence are absorbed into the cycle of life, highlighting the transient nature of human existence. Gunn's poem poignantly captures the tension between human will and the indifferent forces of nature. It explores themes of individuality, mortality, and the eternal cycle of life and death. The vivid imagery and intense emotions evoke a powerful reflection on the human condition and our place within the natural world. The motorcyclist’s journey, ultimately leading to his dissolution into the marsh, serves as a metaphor for the universal human experience of facing and accepting the inevitability of death.
| Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...WHAT THE MOTORCYCLE SAID by MONA VAN DUYN MOTORCYCLE by ALICE GLARDEN BRAND MOTORCYCLE RACER THINKS OF QUITTING by GRACE BUTCHER MOTORCYCLE SOCIAL CLUB by KIRBY CONGDON LADAKH BUDDHESS BIKER by LAWRENCE FERLINGHETTI FIRST PARTY AT KEN KESEY'S WITH HELL'S ANGELS by ALLEN GINSBERG BLACK JACKETS by THOMSON WILLIAM GUNN ON THE MOVE by THOMSON WILLIAM GUNN |
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