![]() |
Classic and Contemporary Poetry: Explained | |||
Rachel Hadas's poem "Slip" delves into the ephemeral nature of existence, highlighting the delicate and often unnoticed transitions that define our lives. Through vivid imagery and contemplative language, Hadas explores themes of absence, memory, and the fleeting presence of the beloved, capturing the paradox of constant presence and inevitable departure. The poem opens with a sense of emptiness and tremor: "Empty and trembling, haloed by absences, / whooshings, invisible leave-takings, finishes, / images, closure." These lines immediately set a tone of fragility and impermanence, suggesting that the very air is filled with the echoes of things that are no longer there. The use of "haloed by absences" evokes a sense of reverence and sanctity around what is missing, emphasizing the impact of these absences on the speaker's consciousness. Hadas describes departures as practicing their gestures "so gracefully" that their actual occurrence often goes unnoticed: "dazzled with sunlight, distracted by darkness, / mercifully often we miss the event." This observation speaks to the human tendency to overlook significant moments until they have passed, distracted by the everyday sights and sounds that envelop us. The dual imagery of sunlight and darkness suggests that departures can be both blindingly obvious and completely hidden, depending on our state of awareness. The poem reflects on the passage of time with a sense of regret and reflection: "So many hours, days, weeks, years, and decades / spent-no, slathered and lavished and squandered." The repetition of time increments emphasizes the accumulation of wasted moments, while the verbs "slathered," "lavished," and "squandered" convey a sense of excess and regret. The speaker acknowledges the intensity with which they engaged in seemingly trivial activities: "ardently, avidly gazing at nothing, / pacing the pavement or peering round corners." There is a poignant recognition of the mundane activities that fill our lives, such as "setting the table and sniffing the twilight, / sitting and gazing at edges, horizons." These actions, while ordinary, are imbued with a sense of longing and anticipation, as if the speaker is constantly preparing for something significant that never quite arrives. The cycle of "preparing occasions that leave us exhausted, / recovering, staggering back to a climax" captures the repetitive nature of human existence, oscillating between anticipation and recovery. In the midst of this reflection on time and activity, Hadas introduces the concept of the beloved: "And there all along, except not there forever, / was the beloved." This line encapsulates the central paradox of the poem—the presence of the beloved is both a constant and a transient element in the speaker's life. The beloved is described in multifaceted terms: "Thoughtful, impatient, affectionate, angry, / tired, distracted, preoccupied, human." This characterization underscores the complexity and variability of human relationships, highlighting the beloved's role in the speaker's life as a deeply human presence. The final lines of the poem reinforce the tension between presence and absence: "part of our lives past quotidian limits, / there all the while and yet not there forever." The phrase "past quotidian limits" suggests that the beloved transcends the ordinary boundaries of daily life, occupying a space that is both integral and impermanent. The repetition of "there all the while and yet not there forever" underscores the inevitability of departure and the bittersweet nature of cherished relationships. Rachel Hadas’s "Slip" masterfully captures the transient nature of human existence and the elusive presence of the beloved. Through rich, evocative imagery and introspective language, Hadas invites readers to reflect on their own experiences of presence, absence, and the passage of time. The poem serves as a meditation on the fleeting moments that shape our lives and the enduring impact of those we hold dear, even as they slip away from our grasp.
| Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...ON SOMETHING THAT WALKS SOMEWHERE by BEN JONSON TO A CAT by ALGERNON CHARLES SWINBURNE THE EAGLE SWIFT by ADAM OF SAINT VICTOR EMBLEMS OF LOVE: 29. ALL NOT WORTH A REWARD by PHILIP AYRES THE STEAM-ENGINE: CANTO 6. ON THE CORK PACKET, 1837 by T. BAKER |
|