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William Matthews' poem "Bad" intricately explores the multifaceted concept of 'badness,' touching upon themes of morality, misfortune, human frailty, and the complexities of the human condition. Through a series of vivid images and reflective passages, Matthews navigates the thin line between good and bad, delving into how circumstances and choices shape our lives.

The poem opens with a juxtaposition of idyllic summer imagery against the emotional volatility of a child: "Dew, sweat, grass-prickle, tantrums, lemonade. / One minute summer is all balm / and the next it's boredom and fury, the library closed, the back yard blandly familiar." This contrast highlights the sudden shifts in mood and perception, portraying the child's world as one of both enchantment and frustration. The phrase "horizonless summer / recedes with a whoosh" suggests a sense of loss and confinement, with the child's emotional landscape mirroring the fickle nature of the season.

Matthews then introduces the notion of being labeled 'bad': "there in the dead / center stands a child with a crumpling face, whom somebody soon will call bad." This moment encapsulates the arbitrary and often unfair nature of such judgments, which can shape a person's identity and self-perception. The poem then shifts to a critique of societal expectations: "Beloved of mothers, too good in school and manners / to be true, can this unctuous wimp be real?" Here, Matthews questions the authenticity of enforced virtue, suggesting that such individuals are often more dangerous because their goodness is superficial and performative.

The poem delves deeper into the theme of self-righteousness and moral ambiguity: "Every morning he counts / his blessings backwards: he's not a crook, not a recent thief, hates only the despised, and / (here it comes up his throat like a flag) he's not bad." This passage explores the internal justification of one's actions and the often convoluted definitions of good and bad. The metaphor of blessings being counted backwards reflects a distorted sense of morality, where being 'not bad' becomes a questionable measure of one's virtue.

Matthews broadens the scope to societal and existential reflections: "By such a token bad / means discreditable, that hope is a bad lien / on belief, as if there were no evil but mis- / judgment, bad budgeting, or in the case / of those teeth, bad genes." This section highlights the tendency to reduce complex moral and ethical issues to simplistic explanations, ignoring the deeper, more profound forces at play.

The poem poignantly illustrates the arbitrary nature of misfortune and the human tendency to seek causality: "Here's bad luck for you: on your way to buy / shoelaces you're struck by a would-be suicide / as you pass beneath the Smith Tower." This narrative underscores the random and often cruel twists of fate that define human existence. The subsequent description of the aftermath—both physical and emotional—emphasizes the long-lasting impact of such events on an individual's life.

Matthews continues with a series of vivid and symbolic images, blending the mundane with the profound: "All the wrapping paper stuffed into the fireplace / Christmas morning, and all the white and brown / bags, the wax and butcher's paper, the shimmers and crinkles of spent foil." These images evoke a sense of transience and impermanence, reflecting the ephemeral nature of human experiences and the detritus of daily life.

The poem's closing reflections encapsulate a deep understanding of the interconnectedness of human experiences and the inevitability of confronting our own imperfections and mortality: "These may be / the dead, the sick, those gone into rage and madness, gone bad, but they're our dead / and our sick, and we will slake their lips / with our very hearts if we must, and we must." This powerful conclusion underscores the collective responsibility to care for one another, despite our flaws and failings.

"Bad" by William Matthews is a profound meditation on the nature of morality, misfortune, and the human condition. Through its rich imagery, introspective tone, and nuanced exploration of good and bad, the poem invites readers to reflect on their own experiences and the often arbitrary distinctions that shape our understanding of right and wrong. Matthews' masterful use of language and metaphor creates a compelling narrative that resonates with the complexities and contradictions inherent in human life.


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