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Classic and Contemporary Poetry: Explained | |||
"History of Hair from World War II to the Present" by Howard Nemerov is a brief yet impactful poem that uses succinct language and cultural references to comment on changes in societal norms and personal identity over time. Through the lens of hair, a symbol often associated with power, rebellion, and identity, Nemerov provides a sharp critique of societal conformity and the cyclical nature of cultural trends. The poem opens with the line "Crewcut et Ux. have raised their long-haired pup," immediately juxtaposing the crewcut—a symbol of the conservative, clean-cut image popularized during and after World War II—with the long-haired "pup," representing a younger generation embracing more liberal and rebellious styles. The Latin "et Ux." (et uxor) translates to "and wife," suggesting a traditional family unit. This sets the stage for exploring how one generation's values and appearances influence and contrast with those of the next. The mention of a "long-haired pup" evokes the countercultural movements of the 1960s and 1970s, where long hair became a symbol of rebellion against mainstream societal norms, particularly those of the post-war generation that favored short, neat haircuts. The word "pup" implies youth and perhaps naivety, hinting at the generational divide and the cyclical nature of cultural trends. In the second line, "Samson is shorn, and Absalom's hung up," Nemerov references two Biblical figures known for their hair and tragic fates. Samson, whose strength was linked to his uncut hair, was betrayed and shorn, leading to his downfall. This allusion can be interpreted as a commentary on how society's pressure to conform can strip individuals of their unique strengths and identities. Absalom, known for his beautiful long hair, was the rebellious son of King David who ultimately met his demise when his hair got caught in the branches of a tree, leaving him vulnerable. This reference suggests that while long hair may symbolize rebellion and individuality, it can also lead to one's downfall when societal structures (the "branches") entangle and betray. By linking these Biblical stories to contemporary changes in hair fashion, Nemerov underscores the tension between individuality and societal expectations. The poem suggests that while outward appearances change with time and trends, the underlying conflicts between personal identity and societal conformity remain constant. "History of Hair from World War II to the Present" by Howard Nemerov is a poignant and thought-provoking reflection on how generational shifts in appearance reflect deeper societal values and tensions. Through the use of hair as a metaphor, Nemerov eloquently captures the cyclical nature of cultural rebellion and conformity, highlighting the enduring struggle between individual expression and societal norms.
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