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Classic and Contemporary Poetry: Explained

LOOKING, by             Poet Analysis     Poet's Biography

Muriel Rukeyser's poem "Looking" is a powerful reflection on the pervasive and destructive nature of war, and the personal and collective grief it causes. The poem juxtaposes intimate, almost tender moments with the harsh reality of global conflict, creating a poignant meditation on the impact of violence and the longing for connection and peace.

The poem begins with a stark acknowledgment of the unknown: "Battles whose names I do not know / Weapons whose wish they dare not teach / Wars whose need they will not show." These lines convey a sense of disorientation and helplessness in the face of widespread violence. The anonymity of the battles and weapons highlights the ubiquity of conflict and the deliberate obscuring of its true motives and necessities by those in power.

The refrain "Tear us tear us each from each, / O my dear / Great sun and daily touch" introduces a personal element, suggesting that the ongoing violence is not just a global or political issue, but a deeply personal one that disrupts daily life and intimate relationships. The "Great sun and daily touch" evokes the fundamental human need for warmth, light, and physical connection, which are shattered by war.

Rukeyser then offers a series of vivid, global images of suffering: "Fallen beside a river in Europe, / Burned to grey ash in Africa, / Lain down in the California jail." These lines emphasize the universal nature of violence and suffering, showing that no part of the world is immune. Each location mentioned signifies a different type of struggle, whether it be the casualties of European wars, the brutal consequences of colonialism and conflict in Africa, or the systemic injustices and incarcerations in America.

The repetition of "O my dear, / Great sun and daily touch" after each set of images reinforces the contrast between the brutality of war and the simplicity of human needs. It serves as a reminder of what is lost in times of conflict and the profound desire for normalcy and human connection.

The line "Flaming in Asia today" brings the reader to the present, indicating that the cycle of violence is ongoing and immediate. The use of "flaming" suggests both literal and metaphorical fires, evoking images of war, destruction, and intense suffering.

The poem concludes with a personal reflection: "I saw you stare out over Canada / As I stare over the Hudson River." This line brings the global perspective back to an individual one, suggesting a shared experience of looking out over a landscape, contemplating the world and the suffering within it. The mention of Canada and the Hudson River links different geographical locations, highlighting the interconnectedness of human experiences and the shared longing for peace and understanding.

In "Looking," Rukeyser masterfully weaves together global and personal narratives to explore the profound impact of war and violence on humanity. The poem's imagery and repetition emphasize the universal nature of suffering and the deep yearning for connection and peace amidst chaos. Through this reflection, Rukeyser invites readers to consider both the vast and intimate consequences of conflict, underscoring the need for empathy and the recognition of our shared humanity.


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