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THEORY OF FLIGHT: NIGHT FLIGHT: NEW YORK, by             Poet Analysis     Poet's Biography

Muriel Rukeyser's "Theory of Flight: Night Flight: New York" is a vivid and intense exploration of the city at dusk, blending themes of technological advancement, war, and the human experience within the urban landscape. Through rich imagery and lyrical language, Rukeyser delves into the dual nature of flight—its potential for both beauty and destruction—set against the backdrop of New York City.

The poem begins with a serene yet profound description of the city as dusk falls: "Lucid at dusk the city lies revealed / authentic purpose under masonry / emerging into emphasis." The use of "lucid" suggests clarity and revelation, as the city's true essence is laid bare. The "authentic purpose" beneath the masonry hints at the underlying human activities and intentions that define the city's existence.

Rukeyser continues by contrasting the vibrant, bustling daytime with the tranquil, almost mystical quality of evening: "Pale the primitive blue of afternoon, / morning’s bravado made ambiguous, / and all the bulwarks we relied upon / relapsed to fluid concept." The solidity of daytime gives way to the fluidity of night, where the city's structures and routines lose their rigidity and become more abstract and dreamlike.

The evening is described as opening "a shady empire odorous / prodigal in sweetness, sweetly promiscuous," suggesting a sense of indulgence and freedom that night brings. The city, transformed by twilight, becomes a unified, softened expanse where even the "insanest noise resolves to monotone." This imagery captures the calming effect of night, where the chaos of the day blends into a harmonious whole.

However, this tranquility is disrupted by the presence of airplanes, symbols of modernity and war: "Traffic and work and riot, triad of waking / are garbled into a full chord, drowning / identity in conquering vibration." The planes' presence signifies a shift from peaceful night to a more sinister atmosphere. The "conquering vibration" of the planes disrupts the city's calm, introducing an element of danger and tension.

Rukeyser vividly depicts the planes as they traverse the night sky, their movements and sounds transforming the city's landscape: "the city conscious of propellers shaking / hard frames of aircraft; night cloven by twin wings." The planes' paths are described as incisive and dissonant, cutting through the evening's serenity. The juxtaposition of the planes' destructive potential with the city's stillness creates a powerful contrast, emphasizing the tension between peace and violence.

The poem then shifts to a more introspective tone, reflecting on the broader implications of technological progress and its impact on humanity: "Time is metric now with the regular advance: descend the skytrack / signal-red on the wingtips, defined by a glitter of bulbs." The precise, measured nature of flight contrasts with the organic, fluid quality of the city at night, highlighting the rigidity of human innovation against the natural flow of life.

Rukeyser's imagery of the river as "keen under blackness, weapon-malevolent" and the description of bombs as "white bombs floating imperturbable / along the planes of the air" underscore the destructive power inherent in technological advancements. The city's response to this threat is one of eerie calm, akin to a "doped man walking to the electric chair," suggesting a numb acceptance of impending doom.

The poem's conclusion contemplates the cyclical nature of history and human ambition: "Failure encompassed in success, the warplanes / dropping flares, as a historic sum of knowledge." The references to Icarus and Leonardo da Vinci highlight the timeless pursuit of flight and the inherent risks and moral complexities associated with it. The final exhortation to "believe that we bloom upon this stalk of time" and the repeated encouragement to "use yourselves: be: fly" emphasize the poem's underlying message of resilience and the enduring human spirit.

"Night Flight: New York" is a powerful meditation on the interplay between technology, war, and human existence. Through her masterful use of imagery and reflective tone, Rukeyser captures the beauty and tragedy of modern life, urging readers to embrace their potential while remaining acutely aware of the consequences of their actions. The poem serves as a reminder of the dual nature of progress and the importance of striving for a balance between innovation and humanity.


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