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SEPHINA, by                 Poet Analysis     Poet's Biography
First Line: Black lacqueys at the wide-flung door
Last Line: Was ever cheek so wan?
Alternate Author Name(s): Ramal, Walter; De La Mare, Walter


Black lacqueys at the wide-flung door
Stand mute as men of wood.
Gleams like a pool the ball-room floor --
A burnished solitude.
A hundred waxen tapers shine
From silver sconces; softly pine
'Cello, fiddle, mandoline,
To music deftly wooed --
And dancers in cambric, satin, silk,
With glancing hair and cheeks like milk,
Wreathe, curtsey, intertwine.

The drowse of roses lulls the air
That's wafted up the marble stair.
Like warbling water clucks the talk.
From room to room in splendour walk
Guests, smiling in the silken sheen;
Carmine and azure, white and green,
They stoop and languish, pace and preen
Bare shoulder, painted fan,
Gemmed wrist and finger, neck of swan;
And still the plucked strings warble on;
Still from the snow-bowered, link-lit street
The muffled hooves of horses beat;
And harness rings; and foam-flecked bit
Clanks as the slim heads toss and stare
From deep, dark eyes. Smiling, at ease,
Mount to the porch the pomped grandees
In lonely state, by twos, and threes,
Exchanging languid courtesies,
While torches fume and flare.

And now the banquet calls. A blare
Of squalling trumpets clots the air;
And, flocking out, streams up the rout;
And lilies nod to velvet's swish.
And peacocks prim on gilded dish,
Vast pies thick-glazed, and gaping fish,
Towering confections crisp as ice,
Jellies aglare like cockatrice,
With thousand savours tongues entice.
Fruits of all hues, too, shape and bloom --
Pomegranate, quince and peach and plum,
Nectarine, grape, and cherry clear
And knotted pine -- each leaf a spear. . .

And lo! -- 'La, la!
Mamma, mamma!
More marvellous lovely than a star
I see you standing there!. . .'
'Fie, fie Sephina! not in bed!'
Couched on the staircase overhead
Like ghost she gloats, her lean hand laid
On alabaster balustrade,
And gazes on and on;
Down on that wondrous to and fro
Till finger and foot are cold as snow
And half the night is gone;
And dazzled eyes are sore bestead,
Nods drowsily the sleek-locked head:
And, faint and far, spins, fading out
That rainbow-coloured, reeling rout
And, with faint sighs, her spirit flies
Into deep sleep. . . .
Come, Stranger, peep!
Was ever cheek so wan?






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