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Classic and Contemporary Poetry
SURFACES AND MASKS; 25, by CLARENCE MAJOR Poet Analysis Poet's Biography First Line: See that stern castle? | |||
See that stern castle? It was once a great old whorehouse. Now, all alone, empty, closed for centuries, no boat anchor; it's unmarked. It might even in some ways be seen as a lonely casa in a graveyard, for over here, on this side not far from the cemetery the merry daylight of death is always waving its tear-stained flag. Still, vain, dreamy, defamed and the victim of a lost fortune, this place is a sentry to the flesh-grinding profits of the pirates who smiled beautifully and lived filled with noise while trying to avoid the Bridge of Sighs. Stout women once leaned out of those windows purring like motorboats, waving to sailors passing below in narrow boat after narrow boat -- long slender nice-looking narrow boats. If we were to glide by now, very close to the dock, we would hear the echoes of an enchanted though bruised life; peculiar in its solitude, while thoughtless in its sentimental enthusiasm. As we go by out here, far from it, without moral peril, in our vaporetto, we are travelers, far too far from those decorated windows to catch even the ghosts of kisses thrown, for centuries, down from them. Used with the permission of Copper Canyon Press, P.O. Box 271, Port Townsend, WA 98368-0271, www.cc.press.org | Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...THE SYNCOPATED CAKEWALK by CLARENCE MAJOR REVELATION AT CAP FERRAT by CLARENCE MAJOR SAND FLESH AND SKY by CLARENCE MAJOR A GUY I KNOW ON 47TH AND COTTAGE by CLARENCE MAJOR AGING TOGETHER by CLARENCE MAJOR AT THE ZOO IN SPAIN by CLARENCE MAJOR ATELIER CEZANNE by CLARENCE MAJOR BALLROOM DARK by CLARENCE MAJOR |
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